really been all that painful. Supposedly, this once-a-year opportunity to lash out at authority figures, upsetting acquaintances, or disgruntling employers quashes any desire to commit crimes throughout the remaining months. What's the logic in The Purge? Their refusal (due to the script) makes it impossible for the audience to buy into the concept when multiple roles never act authentically. On a fresh but disturbing note, murdering women and children seems unlikely as a method of cleansing anger, regardless of legality and opportunity. People either kill, maim and steal, or they hunker down in the most impenetrable shelter they can find.
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Both the sidewalk essay maniacal but very clever people in the film are white, and also the people who we are ultimately asked as an audience to sympathize with are white. Post continues below, the next thing is race. My point is that there is kind of a, purge -esque theme going on from the standpoint that the rich are able to actually kind of commit crimes with relative immunity. Why does it matter? I don't think that the filmmaker, James DeMonaco, was trying to make any kind of a comment about race, but it's still there. One, and this is a little subtle and perhaps harder to argue, has to do with race. But in point and fact it's just not how it works. Charlie struggles to understand why its acceptable to inflict pain and damage on others, channeling some psychological issues (which are never fully examined) as reflected through a horribly disfigured toy hes motorized into a surveillance device; Zoey rebelliously wants to continue seeing the older boy. Name, email address, type of Feedback, please selectSuggestionProblem / BugReport abuseOther. The second, more pronounced, theme, which feels far more intentional, deals with social class, power, and wealth. A simple example is food stamps.