his own studio, Memphis Recording Service, intent on capturing the sounds he heard everyday from Beale Street coming from black bluesmen. Growing up in the cotton fields, blues had always played in the background and was embedded as much into his life as it was any black man. 2 References edit External links edit). Deep Blues by Robert Palmer, book Review by Sarah Filkins,. His musical style reflected the change of location and time: rhythmic pep, flashier lyrics, and a more and more flamboyant performing style (169 but he kept the slide guitar and continued to cultural autobiography essay sing Delta favorites in Chicago. .
Palmer treads the fine line between scholarship and readability and makes the book both informative and interesting. Deep Blues : A Musical and Cultural History of the Mississippi Delta. Robert Palmer. Free shipping on qualifying offers. Blues is the cornerstone of American popular music, the bedrock of rock and roll.
Palmer describes sitting at the kitchen table with Muddy Waters at Muddy's home in Chicago and talking with Sunnyland Slim in the basement of a record store. . Deep Blues: A Musical Pilgrimage to the Crossroads is a British documentary film, released in 1991, and made by music critic and author. Palmer often"s blues lyrics and recognizes the "fusion" they have with the music. King, Walter Houston, Jackie Brenston, and Howlin' Wolf for other labels, but after a couple of years he started his own label, Sun6. Whites in the area had been hiring black entertainers for their school dances, country club parties, plantation cookouts, and other festivities for decades, and by the beginning of the fifties, most of the jukeboxes in recreation parlors, soda fountains, swimming pool club rooms, and other. The "Midnight Rambles" consisted of the Palace's chorus girls performing a late show for interested whites and the Amateur Nights featured artists such.B. Robert Palmer, who was both a journalist and musicologist, used his own interviews to provide much of the material for. Although perhaps not realized by the Dockerys at the time, their farm and the surrounding area was known as the place to go to learn to play blues because of Charley Patton. Robert Palmer was a journalist, music critic, performer, and musicologist. In addition to oppressive social and economic situations, some of the musicians were experiencing moral and spiritual struggle. .
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