the greater theme of the poem: the seduction of the persona by Death. Emily Dickinson and the Art of Belief. Then they pass the setting sun. After all, she was riding along with them in only her gossamer and her tippet only tulle, or in other words, in only a sheer nightgown. Cambridge, Mass.: Harvard University Press, 2004. Now, as the sun has set on her life, and she is standing before her new forever home, disappointment sets. In his carriage, she was accompanied by Immortality as well as Death. Amherst: University of Massachusetts Press, 1998. Dickinson also lived near a cemetery, so she watched many people, even loved ones riding in a hearse to their final resting places. This is a likely inspiration for the setting of this poem. In the realm of Death, time has elapsed into centuries for the speaker, though it seems shorter than her last day of life when she first surmised that her journey was toward Eternity.
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In the end, she believed the grave was her final resting place (The Dickinson Properties). Grabher, Gudrun, Roland Hagenbüchle, and Cristanne Miller,. Early life, with its sheltering from duress and breakdown and death, its distance in experience from the common fate, is but a deceptive lullits own kind of seduction and, hence, recess from decline. An Emily Dickinson Encyclopedia. In the final stanza, we find out the speaker's ride with Death took place centuries ago (so she's been dead for a long time). He takes her through the course of her life with a slow and patient ride. Below are two analytical interpretations of the poem. Consequently, one is often caught unprepared. Dictional nuance is critical to the meaning of the last two lines of the third stanza. Westport, Conn.: Greenwood Press, 2004. The carriage occupants are not merely passing a motley collection of scenes, they are passing out of lifereaching the high afternoon of life, or maturity.
He knew no haste as they drove. Poets Thinking: Pope, Whitman, Dickinson, Yeats. This is portrayed in the first stanza of the poem when the author begins her ride with Death, viewing him as a welcome and familiar friend. Dictional elements in stanza 5 hint at unpreparedness for death.
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